ANTELOPES & QUEENS
Seven years after the Museum of Primitive Art’s groundbreaking show celebrating Bambara sculpture, Yves Saint Laurent debuted his African Collection, also celebrating the stunning art of the Bambara culture.
“The exhibition Antelopes and Queens: Bambara Sculpture from the Western Sudan opened to the public at the now-defunct Museum of Primitive Art (MPA) in New York on February 17, 1960. The late Robert Goldwater, a modernist art historian and the MPA’s director at the time, organized the show. Antelopes and Queens featured sculptures linked to present-day Mali and identified as Bambara or Bamana, the latter term now prevalent in English and often considered the name of a distinct cultural or ethnic group with its own art style. In a press release timed for the exhibition’s opening, the museum characterized the show as “the first comprehensive exhibition ever assembled of [Bambara art].” The MPA’s focus on works linked to a single cultural or ethnic group was unprecedented, and it created a standard for exhibitions of African art that endured throughout the twentieth century… The graceful, stylized antelope dance headpieces, and the very rare, majestic figures known as ‘queens’ have given the show its title.” • The Metropolitan Museum of Art
“Other than his visits to Morocco, Yves Saint Laurent did not like traveling. His most beautiful journeys were imagined... For his Spring / Summer 1967 collection, he was inspired by Africa, creating a series of delicate gowns from a variety of materials, including wooden beads, raffia, straw, and golden thread.... The most noticeable dress paid tribute to the Bambara sculptures produced by the community of the same name in Mali.” • Courtesy of The Musée Yves Saint Laurent Paris