LADY SINGS THE BLUES
How Yves Klein Blue, so wonderfully used in the artist’s Anthropometries, fittingly made it’s way into one of Phoebe Philo’s last brilliant collections for Céline in 2016...
"What is blue"?" the nouveau realist, minimalist and performance artist Yves Klein famously asked. "Blue is the invisible becoming visible. Blue has no dimensions, it is beyond the dimensions of which other colours partake," he concluded... International Klein Blue (IKB) was developed by Yves Klein in collaboration with Edouard Adam, a Parisian art paint supplier in Montparnasse. IKB uses a matte, synthetic resin binder which suspends the color and allows the pigment to maintain as much of its original qualities and intensity of color as possible. Although Klein had worked with blue extensively in his earlier career, it was not until 1958 that he used the patented color exclusively as the central component of a piece (the color effectively becoming the art). He was inspired by the French philosopher Gaston Bachelard, whom he quoted: ‘First there is nothing, then a depth of nothingness, then a profundity of blue.’ One of his most famous works, The Anthropométries, provocatively combines theatre and blue paint, naturally exploring the measurements and proportions of the human body. As Stella Paul explains: "The works were created in performance, with nude women playing the role of human brushes commanded by Klein. Some of the performances were accompanied by Klein’s Monotone Symphony: twenty minutes of one continuous sound, ‘deprived’ of beginning and end, and twenty minutes of silence. Under Klein’s direction and before his eyes, the artworks took shape without his touch. He was conductor or director as much as painter, as the blue paint covering the women’s bodies transferred to the canvas with no intervening brush, roller or other artists’ tool." So too was Philo a conductor of art in her own right, in her case inventively using fabric as her medium...