VENUS IN FURS
How Jean Paul Gaultier’s iconic 1999 trompe l'oeil marble sculpture slip dress was made in the image of the Greco Roman statue thought to represent Aphrodite, appropriately named The Venus of Arles... Fittingly, Gaultier’s runway represented a sculptor’s studio, placing the models on a circular catwalk flanked by the likes of statues resembling Michelangelo’s David and the Venus de Milo among others…
“The figure of a Hellenic statue wearing a draped cloth featured both on the front as well as on the backside of this Spring / Summer 1999 dress by Jean Paul Gaultier... The trompe l'oeil effect of superimposing a naked body onto a dressed body is both playful and sexually charged, two characteristics of Gaultier's quixotic and postmodern design idiom. Through his design, the living flesh becomes stone and the stone becomes cloth, yet the body underneath retains its freedom of movement.” • The Costume Institute at The Metropolitan Museum of Art
La Vénus d'Arles, discovered in several pieces in 1651 in the Roman theatre in Arles, France, originally dates to the end of the 1st century BCE. Carved from Hymettus marble, the statue is thought to be a copy of the Aphrodite of Thespiae by Praxiteles, ordered by the courtesan Phryne. In 1681 it was given to Louis XIV to decorate the Galerie des Glaces of Versailles, otherwise known as the Hall of Mirrors. There was debate as to whether she was Venus or another goddess, but the Sun King, greatly impressed by the ancient masterpiece, decided that she was a Venus. He had the statue restored by the sculptor François Girardon, who endowed her with her traditional attributes: the apple (awarded by Paris to the most beautiful goddess) and the mirror. It was ultimately seized from the royal collection during the (French) Revolution and has been at the Musée du Louvre ever since its inception.